夜总会题材最容易踩的坑，是把女性当作欲望的符号，或者当作男性世界的奖品与背景。显然，这种书写方式无法回应现实，尽管它几乎是过去的惯用模式。《夜王》在这一点上做了关键调整：女性角色被放回“行业结构”中，而不是被放在“男性目光”里。影片中的女性不再只是被观看者，而是规则的理解者、执行者与承受者。
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I find it plausible to think that early humans began to observe, to feel the difference between right and left, and to ascribe qualities like “clumsy,” “awkward,” “crooked,” and “tired” to the less dexterous hand (it is interesting that these very terms still show up prominently in today’s modern languages) and correspondingly positive qualities to the right hand preferred by the majority. This process, intertwining emotion and cognition, can well be expressed in the terms of embodiment... The semantic values with which the terms for left and right are charged in almost all the languages examined for this survey could have their origin in this very process: embodiment turned into words.
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amount of their other equipment, and then likely make software changes, in order
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